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DTSTART;TZID=America/New_York:20230602T100000
DTEND;TZID=America/New_York:20230602T190000
DTSTAMP:20231201T203155Z
CREATED:20231201T203155Z
LAST-MODIFIED:20231201T203155Z
UID:10001817-1685700000-1685732400@edu.huntsphoto.com
SUMMARY:Lighting Iconography: A Strobe Lighting Photography Workshop with Jeremy Saffer
DESCRIPTION:Go behind the lens\, lights\, and mind of twenty-year rock and celebrity portrait photographer Jeremy Saffer and get a glimpse into the world of music\, celebrity\, and entertainment photography using Strobe lighting.\nStudents will get the unique opportunity to not only learn everything Jeremy has to teach about using strobe lighting in a variety of different set ups\, but will also a chance to apply everything they?ve learned during hands on demos and photo shoots.\nAfter having the chance to observe Jeremy?s approach to using strobes while working with a band\, it will be your turn to create images. The workshop will conclude with Jeremy reviewing and giving feedback to each student of the work they have produced.\nTOPICS COVERED\n? Strobes vs led; Different types of strobes (battery vs pack vs self contained\, etc)\n? Strobe mods- Show and review of different light mods and their effects; Boxes\, umbrellas\, parabolic\, gels\, grids\, etc.Color temperature theory\n? Lighting examples using 1 strobe\, 2 strobe\, 3 strobe\, 4 etc. etc.; Break down of lighting in images; BTS to final image walk throughs; Controlling your environment using lighting and camera settings\n??Studio build- Visual demo of turning classroom into a working studio with a full gear set up\, and a break down of the gear/equipment\n??Strobe demo\, passing around the strobes/sizing/controls; building the lights to set\n??Camera Prep- Going over what Cameras/Lenses/Gear will be used; Prepping everyones camera to shoot strobe.\n? Image review and feedback\nSCHEDULE\nEach day has the same schedule.\n10:00 a.m ? 7:00 p.m.\n10:00 a.m. ? Intro to Strobes\n10:30 a.m. ? Show and review of different light mods and their effects\n11:00 a.m. ? Visual demo of turning classroom into a working studio with a full gear set up\, and a break down of the gear/equipment\n11:30 a.m. ? Strobe demo\, passing around the strobes/sizing/controls\n12:00 p.m. ? Break / Lunch (Time may vary)\n12:30 p.m. ? Pre-shoot QnA with guest/band.\n1:00 p.m. ? Live Shoot: Jeremy photographs guest bands\n2:30 p.m. ? Live Shoot: Students photograph guest bands\n5:30 p.m. ? Wrap up/final band QnA/feedback\n6:00 p.m. ? Image review\n7:00 p.m. ? Wrap/QnA\n8:00 p.m. ? Optional Dinner with Jeremy\nWHO SHOULD ATTEND?\nAnyone with an interest in portrait photography and lighting will gain much from this program.  Music photographers looking to get into music portraiture. Any photographers who want the chance to photograph a band using professional lighting in a studio setting.\nWHAT YOU SHOULD KNOW\nHaving a basic understanding of photography\, camera settings\, and being familiar with your camera is important but students do not need any prior lighting experience.\nABOUT OUR WEEKEND WORKSHOPS WITH JEREMY SAFFER\nLighting Iconography is the first day of our weekend workshops with Jeremy Saffer. Saturday is “Get the LED Out” featuring all LED lighting; Sunday is “Totally Tubular” featuring all Tube Lighting. If you would like to sign up for all three days at a discounted rate\, make sure to choose the Three Day Option!\nAbout Jeremy Saffer: Since 2004\, photographer Jeremy Saffer has been making figures from the world of music\, movies\, and pop culture look iconic. Rightfully regarded as one of the most stylish and likable visual artists in contemporary media\, he has crafted a recognizable\, unique and fantastical range of styles that continue to dazzle in fresh and creative ways.\nUtilizing his natural gift for alternative flair\, it is Jeremy’s calling card to develop images and looks for clients that truly make the subject matter shine with star appeal and majestic imagery. For these reasons plus his likable\, knowledgable personality\, his portfolio extends to the covers and inside the pages of international publications such as Kerrang\, Revolver\, Metal Hammer\, Alternative Press\, Guitar World\, Outburn\, and countless other publications.\nFor a look at the caliber of entertainer who trusts Jeremy with their iconic imagery\, you can look to the likes of hard rock and metal legends from Alice Cooper\, Metallica\, Slayer\, Korn and Megadeth to contemporary heavyweights Slipknot\, Avenged Sevenfold\, Ghost\, Bring Me The Horizon and more\, movie and TV legends from A Nightmare On Elm Street\, The Walking Dead\, Hellraiser\, A Clockwork Orange’s Malcolm McDowell and many\, many more.\nSaffer has been enlisted by both publications and the talent themselves\, providing eye-popping album covers for the likes of Killswitch Engage and A Day To Remember\, producing multiple A-list print series projects and gaining millions of YouTube views from music videos he has directed with In This Moment\, Buckcherry\, members of Rob Zombie and New Years Day and more.\nOn top of this elite tier talent list\, for the past 10+ years\, Jeremy has held seminars and workshops all across the United States encouraging droves of budding photographers and helping tomorrow’s visual artists develop a style of their own.\nAs you would expect for someone with such a dynamic and interesting style\, Saffer extends to fine art photography with a litany of impactful and cinematic shots and scenes in his archive. His international back catalogue also includes hundreds of models and settings being used across a multitude of books\, galleries\, displays and art prints that have been sold all over the world.\nThe wealth of vision from his storied and unique career can be found in Jeremy’s latest project\, The Daughters Of Darkness. A fearless and provocative hybrid of his iconic music photography and penchant for fine art\, the project explores beauty within the macabre and features tributes to his love of black metal\, doom and fantastical imagery. Daring to take his art into the furthest reaches of his imagination\, this is sure to be a milestone in a career that continues to impress and expand into bold and brave new horizons.
URL:https://edu.huntsphoto.com/event/lighting-iconography-a-strobe-lighting-photography-workshop-with-jeremy-saffer/
CATEGORIES:Hunt's Photo Walks,Hunt's Photo Workshops,Hunt's Photo, Melrose,In-Person Classes,Instructor: Paul N.,Lighting & Flash Classes,Saffer
ATTACH;FMTTYPE=image/jpeg:https://edu.huntsphoto.com/wp-content/uploads/doylewvf-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230603T100000
DTEND;TZID=America/New_York:20230603T190000
DTSTAMP:20231201T203156Z
CREATED:20231201T203156Z
LAST-MODIFIED:20231201T203156Z
UID:10001818-1685786400-1685818800@edu.huntsphoto.com
SUMMARY:Get the LED Out: An LED Lighting Photography Workshop with Jeremy Saffer
DESCRIPTION:Go behind the lens\, lights\, and mind of twenty-year rock and celebrity portrait photographer Jeremy Saffer and get a glimpse into the world of music\, celebrity\, and entertainment photography using LED lighting.\nStudents will get the unique opportunity to not only learn everything Jeremy has to teach about using different LED lighting in a variety of set ups using different types of LED lighting\, but will also a chance to apply everything they?ve learned during hands on demos and photo shoots.\nAfter having the chance to observe Jeremy?s approach to using LED lighting while working with a band\, it will be your turn to create images. The workshop will conclude with Jeremy reviewing and giving feedback to each student of the work they have produced.\nTOPICS COVERED\n? Introduction to LED- Slideshow of LED usages; LED application; Slideshow of BTS/final images/editorial/covers with spec breakdowns of LED settings\n? LED Color Blending/Temperature- Reviewing color temperature theory/cold tone\, warm tone\, CTO; Reviewing color blending theory (mixing color); Show various LED lights and their effects and usages\n??Camera Prep- A walk through of what cameras/lenses I will be using; Students prep their cameras/provided cameras prepped\n??Studio build- Visual demo of turning classroom into a working studio with a full gear set up\, and a break down of the gear/equipment\n? Image review and feedback\nSCHEDULE\nEach day has the same schedule.\n10:00 a.m ? 7:00 p.m.\n10:00 a.m. ? Intro to LED\n10:30 a.m. ? Reviewing color blending theory with LED (mixing color)\n11:00 a.m. ? Show various LED lights and their effects and usages\n11:30 a.m. ? Studio set up demo\n12:00 p.m. ? Break / Lunch (Time may vary)\n12:30 p.m. ? Pre-shoot QnA with guest/band.\n1:00 p.m. ? Live Shoot: Jeremy photographs guest bands\n2:30 p.m. ? Live Shoot: Students photograph guest bands\n5:30 p.m. ? Wrap up/final band QnA/feedback\n6:00 p.m. ? Image review\n7:00 p.m. ? Wrap/QnA\n8:00 p.m. ? Optional Dinner with Jeremy\nWHO SHOULD ATTEND?\nAnyone with an interest in portrait photography and lighting will gain much from this program.  Music photographers looking to get into music portraiture. Any photographers who want the chance to photograph a band using professional lighting in a studio setting.\nWHAT YOU SHOULD KNOW\nHaving a basic understanding of photography\, camera settings\, and being familiar with your camera is important but students do not need any prior lighting experience.\nABOUT OUR WEEKEND WORKSHOPS WITH JEREMY SAFFER\nGet the LED Out is the second day of our weekend workshops with Jeremy Saffer. Friday is “Lighting Iconography” featuring all strobe lighting; Sunday is “Totally Tubular” featuring all Tube Lighting. If you would like to sign up for all three days at a discounted rate\, make sure to choose the Three Day Option!\nAbout Jeremy Saffer: Since 2004\, photographer Jeremy Saffer has been making figures from the world of music\, movies\, and pop culture look iconic. Rightfully regarded as one of the most stylish and likable visual artists in contemporary media\, he has crafted a recognizable\, unique and fantastical range of styles that continue to dazzle in fresh and creative ways.\nUtilizing his natural gift for alternative flair\, it is Jeremy’s calling card to develop images and looks for clients that truly make the subject matter shine with star appeal and majestic imagery. For these reasons plus his likable\, knowledgable personality\, his portfolio extends to the covers and inside the pages of international publications such as Kerrang\, Revolver\, Metal Hammer\, Alternative Press\, Guitar World\, Outburn\, and countless other publications.\nFor a look at the caliber of entertainer who trusts Jeremy with their iconic imagery\, you can look to the likes of hard rock and metal legends from Alice Cooper\, Metallica\, Slayer\, Korn and Megadeth to contemporary heavyweights Slipknot\, Avenged Sevenfold\, Ghost\, Bring Me The Horizon and more\, movie and TV legends from A Nightmare On Elm Street\, The Walking Dead\, Hellraiser\, A Clockwork Orange’s Malcolm McDowell and many\, many more.\nSaffer has been enlisted by both publications and the talent themselves\, providing eye-popping album covers for the likes of Killswitch Engage and A Day To Remember\, producing multiple A-list print series projects and gaining millions of YouTube views from music videos he has directed with In This Moment\, Buckcherry\, members of Rob Zombie and New Years Day and more.\nOn top of this elite tier talent list\, for the past 10+ years\, Jeremy has held seminars and workshops all across the United States encouraging droves of budding photographers and helping tomorrow’s visual artists develop a style of their own.\nAs you would expect for someone with such a dynamic and interesting style\, Saffer extends to fine art photography with a litany of impactful and cinematic shots and scenes in his archive. His international back catalogue also includes hundreds of models and settings being used across a multitude of books\, galleries\, displays and art prints that have been sold all over the world.\nThe wealth of vision from his storied and unique career can be found in Jeremy’s latest project\, The Daughters Of Darkness. A fearless and provocative hybrid of his iconic music photography and penchant for fine art\, the project explores beauty within the macabre and features tributes to his love of black metal\, doom and fantastical imagery. Daring to take his art into the furthest reaches of his imagination\, this is sure to be a milestone in a career that continues to impress and expand into bold and brave new horizons.
URL:https://edu.huntsphoto.com/event/get-the-led-out-an-led-lighting-photography-workshop-with-jeremy-saffer/
CATEGORIES:Hunt's Photo Walks,Hunt's Photo Workshops,Hunt's Photo, Melrose,In-Person Classes,Instructor: Paul N.,Lighting & Flash Classes,Saffer
ATTACH;FMTTYPE=image/jpeg:https://edu.huntsphoto.com/wp-content/uploads/l1000623bs-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230604T100000
DTEND;TZID=America/New_York:20230604T190000
DTSTAMP:20231201T203154Z
CREATED:20231201T203154Z
LAST-MODIFIED:20231201T203154Z
UID:10001816-1685872800-1685905200@edu.huntsphoto.com
SUMMARY:Totally Tubular: An LED Tube Lighting Photography Workshop with Jeremy Saffer
DESCRIPTION:Go behind the lens\, tubes\, and mind of twenty-year rock and celebrity portrait photographer Jeremy Saffer and get a glimpse into the world of music\, celebrity\, and entertainment photography using tube LED lighting.\nStudents will get the unique opportunity to not only learn everything Jeremy has to teach about using LED tube lighting\, but will also have a chance to apply everything they?ve learned during hands-on demos and photo shoots.\nAfter having the chance to observe Jeremy?s approach to using tubes while working with a band\, it will be your turn to create images. The workshop will conclude with Jeremy reviewing and giving feedback to each student of the work they have produced.\nTOPICS COVERED\nIntro to LED and tube lighting\nColor blending using tubes\nColor temperature theory\nWhy\, When\, and How to implement tubes for lighting\nImage breakdown of tube photos\nTube set up\, options\, settings\, and capabilities\nTube effects/pixel Effects\nStudio and environmental optimization for LED tubes\nLighting build with 1 tube\, up to 16 tubes\nand more\nSCHEDULE\nEach day has the same schedule.\n10:00 a.m ? 7:00 p.m.\n10:00 a.m. ? Intro to LED Tube Lighting\n10:30 a.m. ? LED color and temperature theory.\n11:00 a.m. ? Tube light instructional demo/camera prep\n11:30 a.m. ? Studio set up demo\n12:00 p.m. ? Break / Lunch\n12:30 p.m. ? Pre-shoot QnA with guest/band.\n1:00 p.m. ? Live Shoot: Jeremy photographs guest bands\n2:30 p.m. ? Live Shoot: Students photograph guest bands\n5:30 p.m. ? Wrap up/final band QnA/feedback\n6:00 p.m. ? Image review\n7:00 p.m. ? Wrap/QnA\n8:00 p.m. ? Optional Dinner with Jeremy\nWHO SHOULD ATTEND?\nAnyone with an interest in portrait photography and lighting will gain much from this program.  Music photographers looking to get into music portraiture. Any photographers who want the chance to photograph a band using professional lighting in a studio setting.\nWHAT YOU SHOULD KNOW\nHaving a basic understanding of photography\, camera settings\, and being familiar with your camera is important but students do not need any prior lighting experience.\nABOUT OUR WEEKEND WORKSHOPS WITH JEREMY SAFFER\nTotally Tubular is the third day of our weekend workshops with Jeremy Saffer. Friday is “Lighting Iconography” featuring Strobe Lighting; Saturday is “Get the LED Out” featuring all LED lighting. If you would like to sign up for all three days at a discounted rate\, make sure to choose the Three Day Option!\nAbout Jeremy Saffer: Since 2004\, photographer Jeremy Saffer has been making figures from the world of music\, movies\, and pop culture look iconic. Rightfully regarded as one of the most stylish and likable visual artists in contemporary media\, he has crafted a recognizable\, unique and fantastical range of styles that continue to dazzle in fresh and creative ways.\nUtilizing his natural gift for alternative flair\, it is Jeremy’s calling card to develop images and looks for clients that truly make the subject matter shine with star appeal and majestic imagery. For these reasons plus his likable\, knowledgable personality\, his portfolio extends to the covers and inside the pages of international publications such as Kerrang\, Revolver\, Metal Hammer\, Alternative Press\, Guitar World\, Outburn\, and countless other publications.\nFor a look at the caliber of entertainer who trusts Jeremy with their iconic imagery\, you can look to the likes of hard rock and metal legends from Alice Cooper\, Metallica\, Slayer\, Korn and Megadeth to contemporary heavyweights Slipknot\, Avenged Sevenfold\, Ghost\, Bring Me The Horizon and more\, movie and TV legends from A Nightmare On Elm Street\, The Walking Dead\, Hellraiser\, A Clockwork Orange’s Malcolm McDowell and many\, many more.\nSaffer has been enlisted by both publications and the talent themselves\, providing eye-popping album covers for the likes of Killswitch Engage and A Day To Remember\, producing multiple A-list print series projects and gaining millions of YouTube views from music videos he has directed with In This Moment\, Buckcherry\, members of Rob Zombie and New Years Day and more.\nOn top of this elite tier talent list\, for the past 10+ years\, Jeremy has held seminars and workshops all across the United States encouraging droves of budding photographers and helping tomorrow’s visual artists develop a style of their own.\nAs you would expect for someone with such a dynamic and interesting style\, Saffer extends to fine art photography with a litany of impactful and cinematic shots and scenes in his archive. His international back catalogue also includes hundreds of models and settings being used across a multitude of books\, galleries\, displays and art prints that have been sold all over the world.\nThe wealth of vision from his storied and unique career can be found in Jeremy’s latest project\, The Daughters Of Darkness. A fearless and provocative hybrid of his iconic music photography and penchant for fine art\, the project explores beauty within the macabre and features tributes to his love of black metal\, doom and fantastical imagery. Daring to take his art into the furthest reaches of his imagination\, this is sure to be a milestone in a career that continues to impress and expand into bold and brave new horizons.
URL:https://edu.huntsphoto.com/event/totally-tubular-an-led-tube-lighting-photography-workshop-with-jeremy-saffer-2/
CATEGORIES:Hunt's Photo Walks,Hunt's Photo Workshops,Hunt's Photo, Melrose,In-Person Classes,Instructor: Paul N.,Lighting & Flash Classes,Saffer
ATTACH;FMTTYPE=image/jpeg:https://edu.huntsphoto.com/wp-content/uploads/Safferbts-140629-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230608T180000
DTEND;TZID=America/New_York:20230608T200000
DTSTAMP:20231201T203224Z
CREATED:20231201T203224Z
LAST-MODIFIED:20231201T203224Z
UID:10001864-1686247200-1686254400@edu.huntsphoto.com
SUMMARY:The Printed Vision: Editing for the Final Print (Print Review)
DESCRIPTION:Presentation: Thursday May 25th\, 6-7pm ? Online! \nPrinted Image Review: Thursday June 8th\, 6-8pm ? In our Hunt’s Melrose store or Online!\nAbout The Printed Vision Series\nThe printed image shows our successes and our faults at a much higher level of detail than the digital image. To become better photographers\, it helps to understand this by creating the printed image as a final product\, which is the purpose behind the Printed Vision Series.\nIn this session… Editing for the Final Print\nLet’s be honest- everyone loves their photos on their phones or the back of their cameras\, right? But then when it gets onto your computer screen\, it doesn’t look as good. It can be even more challenging to make your photo look good in print form\, let alone a large print!\nIn this session\, we’ll go over all the fine points in editing to get your image “Print Ready”. In addition to that\, we’ll discuss how paper type affects mood and what papers there are out there to influence your vision! We’ll also take one of your images and print it in a size up to 13×19″ on Fine Art paper.  (Please note: The cost of a 12?18 or 13?19 print on fine art paper is $35-$40; the cost of this class includes the cost of that print! If you want to make TWO prints\, the additional cost would be $40/print.)\nJoin us for a fun class on Editing and Printing!\nReceiving Your Print\nAfter the class\, your print can either be mailed to you or picked up at one of our Hunt’s Photo store locations.\nRegistering and what is needed\nAfter you register for this class\, you will receive a confirmation email that will include information about how to access the online class\, including an online ID code that you will need to get into the class. Make sure to save this information. We will also send a reminder email about 24 hours prior to the class time with that same information.\n?You Are Being Recorded? (And Other Note Related Items)\nWe will be recording this class! The video will be available for download about 24-hours after the class for all attendees\, so don?t worry about taking unending notes. We will send this link attendees to download and rewatch at any time.
URL:https://edu.huntsphoto.com/event/the-printed-vision-editing-for-the-final-print-print-review/
CATEGORIES:Instructor: Paul N.,Printed Vision
ATTACH;FMTTYPE=image/jpeg:https://edu.huntsphoto.com/wp-content/uploads/Z62_7204-2-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230615T190000
DTEND;TZID=America/New_York:20230615T203000
DTSTAMP:20231201T203243Z
CREATED:20231201T203243Z
LAST-MODIFIED:20231201T203243Z
UID:10001893-1686855600-1686861000@edu.huntsphoto.com
SUMMARY:Online: Special Guest Series- A Tripod in the Air: Photo & Video Techniques for Drones with Andy Leclerc & Jamie Malcolm-Brown
DESCRIPTION:Join professional photographers and drone operators Andy Leclerc and Jamie Malcolm-Brown for an exciting online drone workshop where you’ll learn how to hone your piloting skills and master the art of capturing stunning photos and videos from the sky.\nWe’ll guide you through the fundamentals of drone operation and provide you with the knowledge and techniques to confidently take to the skies. Whether you’re an aspiring photographer\, a videography enthusiast\, or someone interested in flying a drone\, this workshop caters to all skill levels.\nDuring the workshop\, we’ll introduce you to the latest drone models equipped with cutting-edge features\, ensuring you can familiarize yourself with the technology at the forefront of this rapidly evolving field. You’ll learn how to optimize camera settings\, compose captivating aerial shots\, and leverage various shooting modes to capture breathtaking imagery from unique perspectives.\nFurthermore\, we’ll delve into post-processing techniques and recommend editing tools to enhance your aerial footage’s visual impact. From basic color correction to advanced editing tricks\, you’ll learn how to transform your raw captures into polished imagery.\nBy the end of this class\, you’ll have the skills and knowledge to take breathtaking aerial photographs and videos that will elevate your creative endeavors to new heights.\nTake advantage of this opportunity to join our online drone workshop and unlock the limitless possibilities of flight and visual storytelling.  \n\nRegistering and what is needed\nAfter you register for this class\, you will receive a confirmation email that will include information about how to access the online class\, including an online ID code that you will need to get into the class. Make sure to save this information. We will also send a reminder email about 24 hours prior to the class time with that same information.\nLayout of the class\nThe class will begin promptly at the time listed. The majority of the class–90 minutes to 2 hours– will be a presentation on the topic\, followed by a short Q&A. During the class\, you are welcome to type in questions in the Chat box if you have specific questions as they are asked. We will do our best to answer those questions\, but if not\, feel free to ask them at the end.\n?You Are Being Recorded? (And Other Note Related Items)\nWe will be recording this class! The video will be available for download about 24-hours after the class for all attendees\, so don?t worry about taking unending notes. We will send this link attendees to download and rewatch at any time. In addition to this\, we will generally send out a PDF of the presentation (when applicable) and handouts on the topic. If handouts and PDFs are included\, we will send it out with the link for the video.\nCan’t attend the class? \nIf you can’t attend the class but still want to download the video\, no problem: Just sign up for the class! You don’t need to attend and we will send the video link the next day!\nWant to get this class after it?s been run?– We have an online store where you can purchase all our previously run classes here: https://edu.huntsphoto.com/buy-previous-courses/\nNo online classes should be shared and cannot be shared in a public environment\, including with camera clubs\nThe online content is the copyright of Hunt’s Photo Education and/or the Instructor. Please support our education team and instructors by not sharing this material! We appreciate your support\, and it’s thanks to that support that we are able to continue producing content!
URL:https://edu.huntsphoto.com/event/online-special-guest-series-a-tripod-in-the-air-photo-video-techniques-for-drones-with-andy-leclerc-jamie-malcolm-brown/
CATEGORIES:Drone Workshops,Instructor: Paul N.,Online Courses,Special Guest Series
ATTACH;FMTTYPE=image/jpeg:https://edu.huntsphoto.com/wp-content/uploads/Drone-5-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230622T180000
DTEND;TZID=America/New_York:20230622T190000
DTSTAMP:20231201T203302Z
CREATED:20231201T203302Z
LAST-MODIFIED:20231201T203302Z
UID:10001922-1687456800-1687460400@edu.huntsphoto.com
SUMMARY:Online: The Printed Vision- Surface Tension- Printing on Textured Papers
DESCRIPTION:Presentation: Thursday June 22nd\, 6-7pm ? Online! \nPrinted Image Review: Thursday June 29th\, 6-8pm ? In our Hunt’s Melrose store or Online! \nAbout The Printed Vision Series\nThe printed image shows our successes and our faults at a much higher level of detail than the digital image. To become better photographers\, it helps to understand this by creating the printed image as a final product\, which is the purpose behind the Printed Vision Series.\nEach Printed Vision topic will meet for two sessions. In the first session\, we will discuss the topic and elaborate on editing with examples. This will include discussion of exposure\, dynamic range and color\, but also deeper points\, such as noise reduction\, image sharpening and grain. In between sessions 1 and 2\, attendees will independently process 1-2 images and submit them to the instructor for printing. We will print one of the two images leading into the second session and discuss some of the challenges we face in printing them.\nYou do not need to produce a new image for this class and can go into your archives to print\, but you are welcome to go out into the field and create something new based on the topic!\nThis Month’s Printed Vision Session: Printing on Textured Papers\nTextured papers often get the raw deal in the grand scheme of printing. After all\, they are matte papers–meaning they have no reflectivity– and those tend not to be as popular as the “shiny” gloss papers. But if you like Fine-Art Printing\, Textured Matte papers create a very unique look to your print. Even the names of some of these papers–William Turner\, Albrect Durer\, German Etching– recall some of the past masters of fine art! These papers exude a 3-dimensionality through their texture and\, given the proper image and effective processing\, can create an amazing fine-art print.\nIn this session\, we will spend our time looking at what sorts of images work best on textured papers\, how to process images for the best results\, and what different surfaces are available. We’ll also discuss color management through the process of editing and also look at best practices when working with monochrome.  Our instructional online presentation will be held on Week 1 and we will reconvene for our Printed Image Review the following week. You will have that time period in between to photograph and/or edit your images. In the end\, you will receive TWO prints on fine art textured paper up to 13×19″. (Please note: The cost of a 13×19″ print on fine art textured paper is $40\, and you get two in this class!) If you would like prints on additional textured papers\, we are happy to do that for the additional charge.\nThe Printed Vision classes are an excellent opportunity to learn more about not only about printing\, but also the processing of images at a much more focused level. Recommended for everyone: Beginners to Advanced Photographers. Come join us for a lot of fun!\nReceiving Your Print\nAfter the class\, your print can either be mailed to you or picked up at one of our Hunt’s Photo store locations.\nRegistering and what is needed\nAfter you register for this class\, you will receive a confirmation email that will include information about how to access the online class\, including an online ID code that you will need to get into the class. Make sure to save this information. We will also send a reminder email about 24 hours prior to the class time with that same information.\n?You Are Being Recorded? (And Other Note Related Items)\nWe will be recording this class! The video will be available for download about 24-hours after the class for all attendees\, so don?t worry about taking unending notes. We will send this link attendees to download and rewatch at any time.
URL:https://edu.huntsphoto.com/event/online-the-printed-vision-surface-tension-printing-on-textured-papers-2/
CATEGORIES:Editing & Printing Classes,In-Person Editing & Printing Classes,Instructor: Paul N.,Online Courses
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230629T180000
DTEND;TZID=America/New_York:20230629T200000
DTSTAMP:20231201T203302Z
CREATED:20231201T203302Z
LAST-MODIFIED:20231201T203302Z
UID:10001923-1688061600-1688068800@edu.huntsphoto.com
SUMMARY:Online: The Printed Vision- Surface Tension- Printing on Textured Papers (Print Review)
DESCRIPTION:About The Printed Vision Series\nThe printed image shows our successes and our faults at a much higher level of detail than the digital image. To become better photographers\, it helps to understand this by creating the printed image as a final product\, which is the purpose behind the Printed Vision Series.\nEach Printed Vision topic will meet for two sessions. In the first session\, we will discuss the topic and elaborate on editing with examples. This will include discussion of exposure\, dynamic range and color\, but also deeper points\, such as noise reduction\, image sharpening and grain. In between sessions 1 and 2\, attendees will independently process 1-2 images and submit them to the instructor for printing. We will print one of the two images leading into the second session and discuss some of the challenges we face in printing them.\nYou do not need to produce a new image for this class and can go into your archives to print\, but you are welcome to go out into the field and create something new based on the topic!\nThis Month’s Printed Vision Session: Printing on Textured Papers\nTextured papers often get the raw deal in the grand scheme of printing. After all\, they are matte papers–meaning they have no reflectivity– and those tend not to be as popular as the “shiny” gloss papers. But if you like Fine-Art Printing\, Textured Matte papers create a very unique look to your print. Even the names of some of these papers–William Turner\, Albrect Durer\, German Etching– recall some of the past masters of fine art! These papers exude a 3-dimensionality through their texture and\, given the proper image and effective processing\, can create an amazing fine-art print.\nIn this session\, we will spend our time looking at what sorts of images work best on textured papers\, how to process images for the best results\, and what different surfaces are available. We’ll also discuss color management through the process of editing and also look at best practices when working with monochrome.  Our instructional online presentation will be held on April 7th from 7-8pm and we will reconvene for our Printed Image Review on April 21st from 6-8pm. You will have that time period in between to photograph and/or edit your images. In the end\, you will receive TWO prints on fine art textured paper up to 13×19″. (Please note: The cost of a 13×19″ print on fine art textured paper is $40\, and you get two in this class!) If you would like prints on additional textured papers\, we are happy to do that for the additional charge.\nThe Printed Vision classes are an excellent opportunity to learn more about not only about printing\, but also the processing of images at a much more focused level. Recommended for everyone: Beginners to Advanced Photographers. Come join us for a lot of fun!\nReceiving Your Print\nAfter the class\, your print can either be mailed to you or picked up at one of our Hunt’s Photo store locations.\nRegistering and what is needed\nAfter you register for this class\, you will receive a confirmation email that will include information about how to access the online class\, including an online ID code that you will need to get into the class. Make sure to save this information. We will also send a reminder email about 24 hours prior to the class time with that same information.\n?You Are Being Recorded? (And Other Note Related Items)\nWe will be recording this class! The video will be available for download about 24-hours after the class for all attendees\, so don?t worry about taking unending notes. We will send this link attendees to download and rewatch at any time.
URL:https://edu.huntsphoto.com/event/online-the-printed-vision-surface-tension-printing-on-textured-papers-print-review-2/
CATEGORIES:Hunt's Photo, Melrose,Instructor: Paul N.
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